i agree with carl and bill. joel, to answer your question about the silverwood that you posted to my "page" and i can't figure out how to respond to, it got it from bis too. and i only stained the boards with it twice.
A 3D painting. So well done.. Perhaps the overall look of the tarpaper is still a bit to 'clean' But maybe you didn't come to that part yet. Again, wonderful work.
Perfect color tones on everything Joel. The handsaw is incredible. I agree with Robert on the tarpaper but still the overall wall is just great. Enjoying your build!!
Thanks Carl, Bill, Ken, Kevin, Bryan, Bill and Robert. Everything is form the kit except the saw. The tool arrangement is almost identical to Brett's so I can't take credit. I do think the tarpaper is a bit plain I may try and muddy it up some but I do worry about damaging what I've done. Ah well I'm always up for an experiment. Just the T-Square to place and this wall is done.
I can easily do a tutorial about making resin look like wood ( although Robert does it better). It really is just the old CA techniques with a bit of highlighting and shadows (with more CA or just plain chalk).
Ok a little side trip while I get my details painted. A quick tutorial on my method to get the resin to look like wood. I hope Robert will follow up with a similar step by step expose and maybe others as well so we can compare and contrast.
So I took three mostly wooden castings and cleaned them up a bit ( very little flash on these beauties). Then a light spray with camouflage Khaki paint Then I blotched on some 403.5 and 403.3 chalk with some alcohol. Then I added some random highlights of light grey and tan CA. At this point it should look awful. Now wait until dry.
Gotta build up the suspense.... So now the mess is dry. Now I use something I have always been told to stay away from - black chalk. Scrape a small pile on the glass tabletop and then dip a brush in alcohol and then just a touch of black chalk, swirl on the glas to mix and draw it along the casting in the direction of the grain. This fills the cracks with black and smooths out the blotchiness. On;y pass once or twice and very lightly otherwise you will get rid of all the chalk from yesterday and lose the colour variation.
That's why I seal the layers in between with super mat very diluted acrylic varnish. Then I can put on a glaze of very diluted black oil paint (from a tube) without , like you say, ruin the previous layers. But I think I've said this before.. Anyway, you've got a great undertone to start on..
Ok nice and dry. Now I take chalk and highlight some of the ridges. I used to use the normal chalk sticks but it was really soft and often filled in the grain. I tried compressed chalk sticks but had some trouble controlling where the streaks went. Then at Robert's suggestion I went out and bought coloured chalk pencils. I gently highlight some of the areas.
And it looks pretty good, particularly if you are a foot back or so. But if you have $2 to spare you can buy an artist's stump And it is easy to blend the harsh highlights in. Because I have not sealed the previous coats the colours minbgle and I get lighter shades of gray and tan.
Now I just have to paint the cast on details and I'm done. Pretty easy and all non toxic and reversible except the initial primer.
No problem and Kevin thank Robert - it's his tip. Back to work. Made a few paint cans. I used thinner wire that in the kit for a more prototypical look and also to walk than fine line near the edge of insanity. I've used magnet wire but the paint sometime flakes off so this time I used .006 brass wire from the hobby shop. bent the handles around my artist stump and then bent the little right angles with my forceps, then blackened: Then I drilled #80 holes on each side of each paint can and gently inserted the wire handle so they actually move like the real ones:
Now for some weathering and they are all set to go. I tried a small dab of silver where the handles meet the can to represent the joint ofetn seen on these old cans but it is really hard to make it circular and realistic.
As a side note. Back then paint was pretty darn expensive and not many people would leave a can open unless they were using it. I painted professionally for 10 years, and I've never seen anyone not stick the lid on quickly. We always poured into tin buckets and painted out of them. Just sayin'!
Eric and Robert, judging the printing is not quite fair as I used a macro lens and the paint can only stands 1/8 tall. Also it's inside in a cabinet so not even very visible. I hope to muddy it up a bit and close the can. More later.
Very nice color Joel ! Perhaps you can make the color towards the end of the planks below somewhat lighter. At least on the outside . This is a typical aspect due to the rain. ( well here in Europe )
The sign is well done aswel. Add some downward rust streaks coming from it on the wood. That will integrate this sign more on the door. ( just my thoughts)
Comments
Again, wonderful work.
Geezerbill
I can easily do a tutorial about making resin look like wood ( although Robert does it better). It really is just the old CA techniques with a bit of highlighting and shadows (with more CA or just plain chalk).
Geeerbill
Jerry
So I took three mostly wooden castings and cleaned them up a bit ( very little flash on these beauties). Then a light spray with camouflage Khaki paint
Then I blotched on some 403.5 and 403.3 chalk with some alcohol. Then I added some random highlights of light grey and tan CA. At this point it should look awful.
Now wait until dry.
Now I use something I have always been told to stay away from - black chalk. Scrape a small pile on the glass tabletop and then dip a brush in alcohol and then just a touch of black chalk, swirl on the glas to mix and draw it along the casting in the direction of the grain. This fills the cracks with black and smooths out the blotchiness. On;y pass once or twice and very lightly otherwise you will get rid of all the chalk from yesterday and lose the colour variation.
I gently highlight some of the areas.
And it looks pretty good, particularly if you are a foot back or so. But if you have $2 to spare you can buy an artist's stump
And it is easy to blend the harsh highlights in. Because I have not sealed the previous coats the colours minbgle and I get lighter shades of gray and tan.
Now I just have to paint the cast on details and I'm done. Pretty easy and all non toxic and reversible except the initial primer.
Results are pretty darn good
Then I drilled #80 holes on each side of each paint can and gently inserted the wire handle so they actually move like the real ones:
Now for some weathering and they are all set to go. I tried a small dab of silver where the handles meet the can to represent the joint ofetn seen on these old cans but it is really hard to make it circular and realistic.
thanks robert, they came yesterday.
Jerry
I'll rust the hinges more when they are installed.
The sign is well done aswel. Add some downward rust streaks coming from it on the wood. That will integrate this sign more on the door. ( just my thoughts)
Anyway, love what you're doing with this kit.